It explores how a performer can embody their intention while expanding their options. Authenticity, energy and completeness within personal importance - tools that concern any form of art or vision of a director, conductor, choreographer - acquire a special weight and are worked kinetically.

Today her main field of work is performance and physical comedy, i.e. the combination of comedy and physical theater.

She chooses to use different art forms with the aim of realizing whatever she thinks or fleetingly crosses her mind, without negotiating it.

She uses the body as a basic means of communication, creating works that serve performance art.  She draws her ideas from everyday life, even penetrating sometimes rudely into the everyday life of others.

She is curious.

This makes her use the element of surprise in her work, both during creation and in the final result. Surprise most often contains the characteristic of subversion. Subversion has a first-degree affinity with humour and ridiculousness, elements that she considers valuable and which she wishes to characterise her work.

She aims for her works to appeal to a wide audience, not necessarily a sophisticated one. This is because she loves people and their complexity.

She would like performing art to be relevant to everyone.

She wishes for a better world that can tolerate humour and is not afraid of ridicule. She tantalisingly seeks to be constantly 'present' by creating performances with authenticity and genuineness, to communicate her knowledge in the service of art and for people to trust her for the essence of her knowledge.

She therefore seeks to constantly improve.